Showing posts with label shapeshifters. Show all posts
Showing posts with label shapeshifters. Show all posts

Tuesday, April 16, 2013

March Book of the Month: Written in Red by Anne Bishop

Our March book of the month was Written in Red, by Anne Bishop. It's the middle of April now. And just for the record, the reason it took me so long to post this is that Kenya couldn't be bothered to do her reading. Not that I'm throwing her under the bus or anything—but this is entirely her fault.

You can read more about our book of the month feature here.


WRITTEN IN RED
by Anne Bishop

As a cassandra sangue, or blood prophet, Meg Corbyn can see the future when her skin is cut—a gift that feels more like a curse. Meg’s Controller keeps her enslaved so he can have full access to her visions. But when she escapes, the only safe place Meg can hide is at the Lakeside Courtyard—a business district operated by the Others.

Shape-shifter Simon Wolfgard is reluctant to hire the stranger who inquires about the Human Liaison job. First, he senses she’s keeping a secret, and second, she doesn’t smell like human prey. Yet a stronger instinct propels him to give Meg the job. And when he learns the truth about Meg and that she’s wanted by the government, he’ll have to decide if she’s worth the fight between humans and the Others that will surely follow.


Alicia: So what did you think of Written in Red?

Kenya: It started off interesting but slow.

Alicia: I agree. It still intrigued me because of the differences between humans and the Others. But action junkies (like you) might have trouble with it.

Kenya: First of all, you don't start off with "A Brief History of the World." Are you fucking kidding me?

Alicia: Oh yeah, I skipped right over that.

Kenya: I was disappointed that she just info-dumped a whole chapter

Alicia: That was crap and so typical of why I usually skip over prologues.

Kenya: It is cheating. Slowly build the world. And once I got through all the history, I was pretty much bored. I also hated the different POVs.

Alicia: But sometimes multi-POV works for you. Why didn't it work here?

Kenya: Take George R.R. Martin. He picks a few characters and sticks with them the whole ride. The reader isn't shocked or surprised. Plus, Martin does it in a certain rhythm. By a quarter of the book, the reader knows to expect a switch at each chapter. I felt like this book was dipping in and out of different heads.

Alicia: I did find the switches in Written in Red to be unpredictable at times.

Kenya: With no format. And ASS.
:-(

Alicia: What does ass have to do with anything?

Kenya: Anne Bishop wrote this book with her ass.

Alicia: You just wanted to use the word ass.

Kenya: She stuck a pen in her anus and just wiggled out a novel.

Alicia: Oh gods. I'm going to pretend I didn't just read that.

Kenya: She writes good books. I read her fantasy series long ago. Something about hot demons, Satan, and this really powerful witch. Those books rocked. And they switched POV but in a practical way. Chapter to chapter.

Alicia: So here's how I feel about Written in Red: it's a concept book. The Others are feral and animalistic and they contrast with the humans. Each group of the Others has characteristics of its animal counterpart. The Wolves like to play and chase—and they eat meat, including humans. The Hawks eat mice. The crows like shiny things and like to play with pencils and sticks. That was really entertaining at times. But for a lot of people, it's not going to be enough. There really wasn't much going on except for exploration of these difference beings.

Kenya: Okay that was cool. But I couldn't figure out a set plot, besides "there is something mysterious going on."

Alicia: My main issue with it wasn't how slow it was, since I was entertained anyway. My main issue was that there was quite a bit of telling, instead of showing. Some entire scenes were made up of Simon or Meg just thinking about stuff that happened. That's cheating! Show, don't tell.

Kenya: *makes a ghost noise

Alicia: Okay, it took me a second to get that. You’re booing. :P

Kenya: Yes. Like I said she wrote it with her ass.

Alicia: I'm still ignoring that. Okay, so any favorite lines? Or awful lines?

Kenya: Oh yeah. It's a scene so be patient, but not a long scene.

Alicia: You are taking too long to type it. For the record, I already typed out my quote, and all I have to do is paste it in the chat window. But I also read the entire book, so we know which one of us is the slacker here.

Kenya: "Do you know the joke about what happened to the dinosaurs?” Burke asked as Monty opened the office door. "No, sir." Burke didn't smile. "The Others is what happened to the dinosaurs."
That's my favorite scene.

Alicia: Yeah, that was a good one. Okay, so mine is part of a letter written to the Others' advice columnist. The letter-writer is an Other who took home a human guy, and they were getting frisky. And the Other writing the letter for advice says, "I got a little excited when he began to play push-away after I nipped him and, well, I ended up biting him on the thigh. It wasn't a big bite—didn't even need stitching--and despite what he claimed, it really wasn't all that close to his chew toy."

Kenya: Huh? What's his chew toy? His penis?

Alicia: Are seriously telling me you don't understand a penis joke when you see it? You disappoint me.

Kenya: Chew toy. Ewww. Ur sick.

Alicia: Dude, it’s not like I wrote it. And I guess I should also mention that Wolf pups sometimes use animal penises as chew toys.

Kenya: Lmao! Wtf, that is so insane. I'm eating over here, dude!
:-/
Go on timeout!

Alicia: Well, you should have been giving me your full attention, instead of eating.

Kenya: I'm gonna need you to not talk to me for a few minutes.

Alicia: Sure. But first give me your rating for the book please. I give it four stars. How many stars for you?

Kenya: Two.




Monday, March 25, 2013

Wherewolves Book Blast and Giveaway



BOOK BLURB:A group of high school seniors and their teacher, The Sarge, go on a survival training weekend and must face their biggest enemy: themselves. A growl they hear and one by one they disappear. What is out there? Can it really be werewolves?

A fresh take on bullying told using a fun, rapid-fire style; with edgy, layered characters and a plot twist with as much depth as impact.





Thought provoking. Intense. Action packed.
Based on the screenplay, WHEREWOLVES, by John Vamvas and Olga Montes. 

"SPARKLING DIALOGUE... THE WRITING IS SENSATIONAL." Emmy and Peabody Award winning writer, William Mastrosimone

"KEPT ME ON THE EDGE OF MY SEAT. GETS YOUR PULSE POUNDING." Award winning investigative journalist, Victor Malarek, CTV, W-5


ABOUT JOHN VAMVAS AND OLGA MONTES
















Together for over 20 years, John and Olga started as an acting team but soon began to write their own scripts for lack of finding two-person plays they could tour across North America. They wrote and toured four full-length critically acclaimed plays to packed houses across Canada and the United States, including, Bad Boy, which they performed Off-Off-Broadway at New York’s Creative Place Theatre in the heart of Times Square.

In 2001, they were approached to star in and rewrite the short film, Things Never Said in Playa Perdida. Playa won the audience award at the New York Short Film Festival in 2002 and tied first place at the Festivalisimo festival in Montreal.

WHEREWOLVES was written as a screenplay in 2010. Thanks to suggestions from fans on sites such as werewolfcafe.com, they wrote the novel to get the story out while they wait for it to hit the screens.